摘要
张骏祥在抗战结束后导演的讽刺喜剧片《还乡日记》(1947)是他最优秀的电影作品之一,他多年来积累的戏剧理论与舞台经验在作品中得到了充分展现。而对于这部影片的解读,往往表现出我们对喜剧作品认识的偏差。因此,重读这部作品,也是重新审视喜剧电影评价体系。
Diary of the Homecoming (1947) , a satire comedy directed by Zhang Junxiang after the end of anti -Japanese war is the best film work of Zhang. His drama theory and stage experience accumulated for years have been fully demonstrated in this work. However, different comments on this film show that there are quite some divergences in our cognition of satire comedy. Therefore, re - reading of this film is also a review of our criterion of comedy criticism.
出处
《南京师范大学文学院学报》
CSSCI
2014年第3期101-105,共5页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
江苏省高校哲学社会科学基金项目(编号:2012SJD760017)
教育部人文社会科学青年基金项目(编号:11YJC760063)
关键词
《还乡日记》
讽刺
喜剧
笑剧
Diary of the Homecoming
satire
comedy
farce