摘要
张爱玲广泛地接触了各种电影文艺,并在小说创作中运用了大量的电影艺术手法,使其笔下的作品带有丰富的视像性和表现力。本文从蒙太奇、空镜头、化入与化出、特写、电影化意象等方面来分析小说《半生缘》对电影艺术手法的借鉴,品读她笔下演绎着的平凡而苍凉的人生,深入地感受其独特的艺术魅力与深刻的思想内涵。小说的"影视化"创作,有效地拓展了文学的生存与传播空间。
Zhang Ailing(also known as Eileen Chang) had come into contact with all kinds of film works. At the same time,she had applied abundant film expression techniques to her works which bring strong expression and visual effects. In this article the fiction Ban Sheng Yuan(also known as Eighteen Springs) was analyzed from the aspect of Montage,scenery shot,cross dissolve,feature,cinematic imagery and so on to explore the application of film expression techniques,to appreciate the ordinary and bleak life,and to sense the unique artistic charm,the profound thoughts in her works. By "filming"the fiction during the writing,the literature's survival and spread space were effectively expanded.
出处
《山西大同大学学报(社会科学版)》
2014年第3期49-53,共5页
Journal of Shanxi Datong University(Social Science Edition)
基金
忻州师范学院院级课题(201105)
关键词
半生缘
电影手法
借鉴
Ban Sheng Yuan(also known as Eighteen Springs)
film expression
application