摘要
《呼兰河传》成功地将"散文化"叙述运用于长篇小说,以空间化的结构方式取代了传统的因果关系的线性情节结构,以背景氛围为描写对象取代了人物形象的塑造,以强烈的抒情代替了叙事成分的主体地位,通过作者与叙述者相分离和隐性评论的方式成就了情感的含蓄表达,形成了一种结构散化、情节淡化、人物虚化和抒情含蓄化的特征。
The author of The Biograpy of Hulan River successfully applied prosaic tendency in the novel, replacing the traditional linear plot structure of causality with the spatial structure mode , replacing shaping characters with the descrip- tion of background atmosphere, replacing the narration ingredients with intense sentiment. Separating the author and the narrator and employing the recessive comments contribute implicit expression of emotion, which forms such characters as a loose organization, a diluted plot, fictional characters and lyrical languages.
出处
《山西农业大学学报(社会科学版)》
2014年第8期804-808,812,共6页
Journal of Shanxi Agricultural University:Social Science Edition
关键词
萧红
《呼兰河传》
散文化
特征
Xiao Hong
The Biography of Hulan River
Prosaic
Characteristics