余裕·和·悲剧——论夏目漱石的美学思想

Margin·Harmony·Tragedy——On Natsume Soseki's Aesthetic Ideology

夏目漱石终其一生追求余裕美、和谐美和悲剧美,其"和"的审美理想历经了从"非人情"到"则天去私"的转变。这些美学思想在其小说《草枕》和《心》中都得到充分体现。可以说,漱石美学的形成,最初是缘于漱石反对自然主义滥觞、弘扬日本民族文化的初衷。此外,国外美学和日本文化对漱石美学的影响,亦不可低估。当然,夏目漱石的审美观并非完美无缺,反思其思想,可以发现它也存在一些局限。

Natsume Soseki had been pursuing the beauty of margin,tragedy and harmony which has undergone ideological transformation from ＂non-human feelings＂ to ＂sokutenkyoshi＂ throughout his life. These aesthetic ideologies have been vividly presented in his novels Kusamakura and Heart,which originated from his opposition to naturalism. What is more,we can＇t ignore that Natsume Soseki is deeply influenced by foreign literature,especially Sinology and Japanese culture.Of course, with some limitations, Natsume Soseki＇s aesthetic theory is not perfect.