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传统戏剧文化现象的新解读——从女性性别角度看近代城市京剧女演员 被引量:1

A New Interpretation of the Cultural Phenomenon of Traditional Opera Art——The Modern City Actresses in Chinese Opera from a Female Gender Perspective
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摘要 在几千年社会发展中,中国形成了独具特色的性别文化生态。中华民族戏曲艺术从产生至成熟的千百年间,也形成了独特的文化现象。从女性性别角度研究中国性别文化和中国戏剧文化土壤中的女演员群体极具新意和学术价值,而分析当前女艺人特别是近代平津沪三地京剧女演员的现状,总结这一领域研究成果,透视其间存在的问题,对推动当前益愈趋热的女性性别研究,以及当代娱乐业流行文化的研究都有积极意义。 After thousands of years of social development,China has formed a unique environment of gender culture.Chinese opera art,which appeared thousands of years ago and now is mature,has also formed a unique cultural phenomenon.It is of great innovation and academic value to study the Chinese gender culture and the actresses of Chinese drama from the female gender perspective.And it has positive significance to analyze the state of the current female artists,especially that of the modern Peking Opera actresses in Beiping(now Beijing),Tianjin and Shanghai,to summarize the research results in this field and examine the problems in them,to promote the female gender study which is getting more and more popular at present,and to promote the study of contemporary popular culture in entertainment.
作者 刘依尘
出处 《中北大学学报(社会科学版)》 2014年第4期118-120,124,共4页 Journal of North University of China:Social Science Edition
关键词 戏剧文化 女演员 性别史 theatrical culture actress gender history
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参考文献4

  • 1谭帆.优伶史[M].上海:上海文艺出版社,1995.
  • 2马少波,等.中国京剧史(上卷)[M].北京:中国戏剧出版社,1990:454.
  • 3王利器.元明清三代禁毁小说戏曲史料[M].上海:上海古籍出版社,1984.
  • 4张远.近代平津沪的城市京剧女演员[M].太原:山西教育出版社,2010.

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