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《圣谕谨遵辟邪全图》考析 被引量:1

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摘要 本文将周汉编著的《圣谕谨遵辟邪全图》置于晚清社会与美术的整体视野下进行重新审视和研究,通过对该作品的背景环境、内容、题材选取、创作目的、艺术特色等方面的分析,透析晚清反洋教案中文本与图像之间的互补作用,进而使我们对咸丰年间的民间本土版画有一个更清晰、深刻的认识。
作者 王少浩
出处 《美术学报》 北大核心 2014年第4期50-54,共5页 Art Journal
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  • 1刘以桐.《民教相仇都门闻见录》[A]..《义和团》(二)[C].,.第182页.
  • 2仲芳氏:《庚子纪事》,中华书局1978年版,第12-14页.
  • 3Paul A. Cohen, Historv in Three Keys: The Baxers as Event, E:cperience, and Myth (New York:Columbia University Press, 1997).
  • 4《历史三调:作为事件、经历和神话的义和团》,杜继东译.江苏人民出版社,2000年.
  • 5Journal entry, in Alice M. Williams Miscellaneous Papers (Shansi Mission), file 12, ABCFM (American Board of Commissioners for Foreign Missions, Papers in Houghton Library, Harvard University). See also Bird's letter of June 24, 1900 to her brother, ibid.
  • 6Pitkin, letter, June 2, 1900, in Sarah Boardman Goodrich, "Journal of 1900," June 6, 1900, pp.6-7,in Miscellaneous Personal papers, Manuscript Group No. 8, Box No. 88, CRP (China Records Project,Divinity School Library, Yale University) ; Luella Miner, "Last Rites for the Pao-ting-fu Martyrs," The Advance, August 1, 1901.
  • 7See, for example, the dispatch from American minister Edwin H. Conger to Secretary of State John Hay,May 8, 1900, in United States, Papers relating to the Foreign Relations of the United States, 1900(Washington, D. C. : GPO, 1902), p. 122.
  • 8(dispatch to Hay, December 7, 1899, ibid., p. 77)See also the dispatch of British minister Claude M. MacDonald to Foreign Secretary Salisbury, May 21, 1900, in Great Britain, Parliamentary Papers, China No.3 (1900), p. 105.
  • 9Rowena Bird, journal entry, June 25, 1900; see also Dwight H. Clapp, diary letter, Taigu, Shanxi, July 7 and 15, 1900, in Alice M. Williams Miscellaneous Papers (Shansi Mission), file 12, ABCFM; Luella Miner, Journal, Beijing, June 25, 1900, ABCFM.
  • 10Miner, journal, Tongzhou, June 7, 1900.

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