中国历史文化纪录片多元叙述视角探论

On the diversified narrative perspectives of Chinese contemporary historical and cultural documentaries

经过20世纪90年代新纪录片运动的洗礼及近年来中国纪录片创作生态的变化,极具主流色彩的中国当代历史文化纪录片由于创作主体深层理念的流变与网络时代的受众市场及国际化的竞争环境的影响,普遍呈现出精英视角、主流背景和大众化表达相结合的特点。其中尤其值得关注的共性之一即在创作中采用的多元叙述视角以及每一视角呈现出的与以往不同的新特点。

After the new documentary movement in the 1990s and the ecological changes of China＇ s documen- taries in recent years, Chinese historical and cultural documentaries with the mainstream color have generally exhib- ited the feature of the combination of elite perspective, mainstream cultural background and popular expression ow- ing to the changes of deep comprehension of the creators, the audience market in network era and the International competition environment. One of the features which are particularly worthy of attention is the diversified narrative perspectives used in the creation and their different characteristics. The narrative perspectives of Chinese contemporary historical and cultur- al documentaries include commentary, oral narrator and the historical characters of ＂scene representation＂, etc.