在影响的焦虑中寻求自我:中国雕塑如何进入现代?

To Find Myself in the Anxiety which Stems From Influence:How to Let the Chinese Sculpture to be Modernized?

《雕塑》杂志出了个大题目,大得不知如何下笔,惶恐至极,不管怎么写似乎都不及皮毛之论.但这无疑是一个很有意思、很值得深入研究和探讨的题目,中国现代雕塑走过了百年历程,我们是如何走的？究竞走得怎么样？已有不少人对这个问题进行了思考,但显然思考得还不够,不够广也不够深,这就是需要不断思考和探索的理由.

Within 100 years ,especially in the past 30 years,we seemed to experienced all the processes of western art,in this kind of process,we experienced selection,utilization,innovation,but we also experienced a kind of anxiety about cultural and aesthetical issues.There was a kind of huge and complicated “others” existed frequently in the seemingly proud expression of modernity,this kind of expression reveals tragical feelings,and also reveals a sort of ironic meanings.Chinese modern sculpture was experienced transformation and innovation under this kind of situation,in some cases,Chinese sculptors wanted to find out themselves in creating the comunication with others,and to find out themselves during the process about the discover of personalized tradition and the notions of modernity,then to let the Chinese sculpture to be modernized.