试析李斯特两首变奏体艺术歌曲的创作与演唱

Analysis of Liszt Two Variation Artistic Songs' Composing and Singing

欧洲艺术歌曲的曲体结构多以三段体或多段体的形式呈现,而变奏曲体的结构形式较为罕见,以李斯特的《紫罗兰》和《樱草花》两首变奏曲体歌曲为例,分析了变奏曲体以何种方式彰显歌词强调的景象,以何种方式变化调性取得戏剧性效果,总结其蕴含的规律,为演唱者精准把握作品变奏部分歌唱旋律与伴奏的融合、音乐情绪处理对情感表达的影响提供理论指导。

Most of the song structures of European art songs are in three sections or multi-sections, but the form of structural variations is rare. Two variation songs of Liszt, Violet and Primrose are taken as examples to find how lyrics are presented by the form of variations and how dramatic effect is achieved by the change of melodies. Their underlying rules may provide some guidance for the singer to better grasp the fusion of the variation section with accompaniment section, musical mood handling and emotion expressing.