断垣望归燕——许鞍华、徐克、余允抗与香港新浪潮恐怖片

On Hong Kong New Wave Thrillers Produced by XU An- hua,XU Ke and YU Yun- kang

1978年开始的香港新浪潮电影以其内容扎实、引人入胜的作品为香港电影带来了新的气象。新浪潮时期的恐怖片作为一个类型电影,更是以其光怪陆离的影像、奇峰陡转的情节、严峻深刻的思考令人兴趣盎然。本文将以文本分析的方法从九七前过渡期港人的焦虑、在此环境下创作者锐意革新题材禁区和视听语言的气魄、作品中困顿逼仄的空间折射出的港人的困惑三个层面来解读许鞍华、徐克、余允抗这三位导演在新浪潮时期拍摄的恐怖片,旨在发掘香港新浪潮时期的恐怖片在社会关系、文化空间等方面的深层含义,从中发现香港新浪潮时期恐怖片的承续与创新,以及对之后的香港电影创作者的影响。

Hong Kong New Wave cinema that emerged in 1978 has brought new atmosphere into Hong Kong cinema with its solid and fascinating works. The New Wave thrillers as genre films seem more intriguing with their grotesque images, enchanting plot and profound reflections. With textual analyses, this paper attempts to analyze the thrillers produced by three directors XU An -hua, XU Ke and YU Yun -kang in New Wave that focused on Hongkongers＇anxiety and dilemma during the transitional period before 1997. It aims to discuss the significance of thrillers in social relations and cultures and thus to discover the inheritance and innovation of Hong Kong New Wave thrillers and their influence on later Hong Kong filmmakers.