论中国古典美学的妙悟思想

On Epiphany(Miao-wu) Thought in Chinese Classical Aesthetics

中国古代哲学有重视心灵体验、追求内在超越的精神取向,使得"妙悟"突破禅宗悟道法则而逐渐衍化为古典审美体验与艺术批评的重要范畴。妙悟是一种出自心源的体验活动,是一种超逻辑、非对象性又极具创造性的思维方式,妙悟体验与境界超越是分不开的。妙悟既是中国古典美学的智慧思维,也体现了古代精英文化的审美创造精神。今天重提妙悟智慧,意在将古代文人士大夫精英化的艺术思维与大众所需要的审美趣味及价值标准结合起来,从而构建一种科学融通、能为当代中国美学所接纳和吸收的系统学说。应当在科学与人文两个维度展开对妙悟思想的重新研究,使其重新焕发生机,成为未来世界美学建构的重要资源。

There is emphasis on the spiritual experience of the spirit of the ancient Chinese philosophy, which makes ＂miao -wu＂ become an important category of classical art criticism. ＂Miao -wu＂ is an ultra -logical,non - objectivity and very creative way of thinking. Both ＂miao -wu＂ is Chinese classical aesthetics wisdom of thinking but also reflects the aesthetic elite culture of ancient creative spirit. We should commence in science and humanities to re - examine the two dimensions of ＂miao - wu＂ thought and it will become an important resource for the future construction of world aesthetics.