摘要
西方现代音乐的诞生以反传统观念为起点，并因此走向了理性与非理性的极端．陷入异化之窘境。自20世纪70～80年代，西方音乐出现了情感的复归现象，这标志着异化现象的缓解。音乐的异化实际上映射出的是人的异化，音乐中情感的复归映射出的是人对生命意义的追求。
The western modern music was born in counterculture, and thereby tended towards extremity of rationalism and irrationalism. From the 1970s and ＇80s, the regression of emotion in the western music shows remission of alienation. Actually, the alienation of music reflects the alienation of human being, and the regression of emotion reflects the human＇s pursuit of the significance of life.
出处
《广州大学学报（社会科学版）》
CSSCI
2014年第8期87-90,共4页
Journal of Guangzhou University:Social Science Edition
关键词
20世纪
西方音乐
异化
the 20th century
the western music
alienation
