稷山县青龙寺腰殿壁画的构图特色分析

Analysis of the mural′s composition features of Jishan Qinglong Temple

研究稷山县青龙寺腰殿壁画构图的形成原因和内在规律.对原壁以手绘图的方式,从腰殿东、西、南、北4个方向将现存壁画的内容、位置进行清晰、直观的再现,并研究其背后形成此种画面的深层原因,从而得到一个左右对称,层次分明,井然有序的画面.同时,从佛、道、儒三教人物在壁画中所处的位置分析青龙寺腰殿壁画构图形式.认为水陆画是有着明确内在规律性的有机系统,是建立在三教均具有"消灾祈福"的功能基础上的一种佛教世俗化的民俗现象.

The causes and inherent law of the mural’ composition in Jishan Qinglong Temple were stud-ied .The content and location of the existing mural was clearly and directly demonstrated from four dif-ferent directions by means of hand plot ,therefore ,a symmetrical ,distinct and orderly scene was ob-tained .Confucianism ,Buddhism and Taoism′s locations in this mural were analyzed to help understand the mural′composition formation in Qinglong Temple .It is believed that the mural ,a kind of amphibi-ous painting ,is an organic system with exact inherent laws ,which is a folk custom based on the three religion′common feature of praying and blessing .