花落去 燕归来——论当代流行音乐产业中的中国戏曲元素

Chinese Opera Elements of Contemporary Pop Music Industry

中国传统戏曲在20世纪50年代的戏曲改革之后,使专业化分工的艺术生产方式得以实现。改革开放以来,传统戏曲的生命力在以西方流行音乐传播为主要基础的大众文化消费方式的冲击下日渐式微。由此,中国流行音乐人在不断探索一种使戏曲融入流行音乐的新形式,虽然当前略显凌乱,但仍昭示了一种新的、独到的艺术欣赏原则正在崛起。因此,只有根植于传统文化的母体生长,中国流行音乐才能在当代流行音乐的图谱上开掘出具备鲜明中国文化特征的新音乐类型。

After the reform of traditional Chinese opera drama in 1950s, the specialization of art production can be achieved. Since the reform and opening up in China, the vitality of traditional Chinese opera under the impact of the spread of western pop music as the main basis of the mass culture of consumption is declining. Thus, the Chinese pop music continues to explore a new form integrated with opera and pop music. Although slightly messy, it still has demonstrated a new, unique art appreciation principle has been rising. Therefore, only rooted in traditional culture, Chinese pop music develops towards contemporary popular music with distinctive Chinese cultural characteristics as a new type of music.