神圣的书写:花山壁画原型意义的探析

The Exploration of Archetypal Meaning of Huashan’s Mural

花山壁画以及世界上其他的早期岩画艺术在向世人传达出一个难以忽视和否认的事实,即艺术自诞生起就饱含着人类语言文字的功能。花山壁画作为人类早期的视觉艺术,它不但发挥了语言文字的交流与沟通的功能,而且更因对"过去"的描述而成为了一种神圣的书写方式。花山壁画中集图画文字、表意文字、心理文字于一体的"蹲踞式人型"——建立在早期人类二元逻辑之上的原型符号,迄今仍以其携带的来自远古的神秘气息,滋养着现代人的审美想象和艺术创造。

Huashan mural and the rest of the world in the early rock art convey a fact which is hard to ignore and deny:the art is born with language function. As early human visual art,Huashan mural plays not only the language function of exchange and communication, but a sacred writing because of its description on“the past”. Based on the archetypal symbols of early human’s binary logic,like crouch-ing people,Huashan mural integrating pictograph,ideograph,psychological character together,namely,crouching people,nourishes the modern aesthetic imagination and artistic creation with its mysterious atmosphere carried from ancient times.