摘要
整个批评界一直以来都注意到哈姆雷特的抑郁,而忽略了他的另一面——躁狂。哈姆雷特不断奔涌的思绪、无尽扩充的意识、对王后和奥菲利娅的暴力都是他躁狂的表现。哈姆雷特的躁狂与抑郁相混合,在这种状态下,他对生存与死亡进行了深刻的思考。哈姆雷特的躁郁症作为一种疯癫状态,在莎士比亚的戏剧中享有终极的地位,具有审美和哲学的意义。
Hamlet＇s depression has always been noticed, while his mania has been ignored. Hamlet＇s surging thoughts, enlarging consciousness and his violence towards the queen and Ophelia are all the symptoms of mania. Hamlet＇ s mania is mixed with depression. Under this mixed mood, he reflected deeply on life and death. As a form of madness, Hamlet＇ s depressive mania has an ultimate status in Shakespeare＇s plays both aesthetically and philosophically.
出处
《烟台大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第5期56-62,共7页
Journal of Yantai University(Philosophy and Social Science Edition)
关键词
躁狂
抑郁
躁郁症
莎士比亚
mania
depression
maniac-depression
Shakespeare
