摘要
莫言的《蛙》的审美形式主要体现为复调,多种话语交集冲突与对话,具有混沌繁复、难以把握的特点。书信体文体形式设置了对话语境,间离原则使现实陌生化,戏仿与狂欢的语体造成严肃与戏谑的混通,叙事视角的自由变化造成多种声音的回响,这些共同促成了复调的形成。众声喧哗的复调揭示出现实的荒诞与存在的悖论。
The aesthetic form of Mo Yan' s Frog is mainly embodied in the type of polyphony, which is a intersection of multiple discourse of conflict and dialogue, having the general characteristics of chaotic complexity. The novel has set up a dialogue context with an epistolary style, has made reality strange with a principle of alienation, and has caused a mix of seriousness and banter with a style of parody and carnival, all of which together contribute to the formation of polyphony and the polyphony itself reveals the absurdity of reality and existence of the paradox.
出处
《烟台大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第5期71-77,共7页
Journal of Yantai University(Philosophy and Social Science Edition)
关键词
莫言
复调
《蛙》
MO Yan
polyphony
Frog