The Kind of Virgin That Keeps a Parrot： Identity, Nature, and Myth in a Painting by Hans Baldung Grien

The Kind of Virgin That Keeps a Parrot： Identity, Nature, and Myth in a Painting by Hans Baldung Grien

下载PDF

导出

作者 Bonnie J. Noble

机构地区 University of North Carolina at Charlotte

出处《Journal of Literature and Art Studies》 2014年第9期702-721,共20页 文学与艺术研究（英文版）

关键词鹦鹉绘画神话自然宗教改革艺术家颠覆性复杂性 Virgin, Madonna, Reformation, Witch, Hans Baldung Grien, Renaissance, Albrecht DUrer

参考文献63

1Andersson, C. (1981). Religiose Bilder Cranachsim Dienst der Reformation (Cranach’s Religious Images in the Service of the Reformation). Humanismus und reformation alskulturelle Krdfte in der deutschen Geschichte (Humanism and Reformation as Cultural Forces in German History), (pp. 43-79). Berlin and New York: Walter de Gruyter.
2Baldung, G. H. (2009). Grove encyclopedia of northern Renaissance art (Vol. 1). G. Campbell (Ed.). Oxford: Oxford University Press.
3Baldung, H., Marrow, J. H., & Shestack, A. (1981). Hans Baldung Grien, prints & drawings: National Gallery of Art. New Haven: Yale University Art Gallery.
4Barry, J., Hester, M., & Roberts, G. (1996). Witchcraft in early modern Europe: studies in culture and belief. Cambridge: Cambridge University Press.
5Bartrum, G. (1995). German Renaissance prints, 1490-1550. London: British Museum Press.
6Baxandall, M. (1980). The Limewood Sculptors of Renaissance Germany. New Haven: Yale University Press.
7Behringer, W. (2008).Weather, Hunger, and Fear. In D. Oldridge, Reader (pp. 74-85). London; New York : Routledge.
8Belting, H. (1994). Likeness and presence. Chicago: University of Chicago Press.
9Berdini, P. (1997). The religious art of Jacopo Bassano: Painting as visual exegesis. Cambridge and New York: Cambridge University Press.
10Bleyerveld, Y. (2001). Chaste, Obedient and Devout: Biblical women as patterns of female virtue in Netherlandish and German graphic art, ca. 1500-1750. Simiolus, 28, 219-250-.

Journal of Literature and Art Studies

2014年第9期

内容加载中请稍等...