摘要
分析中国山水画"游观性"特点如何在画幅、构图原则和点景人3个方面得以体现。以黄山图为例,分析黄山图的游观性特征,进而识别出画家在黄山风景欣赏并进行绘画创作时如何选择景点和路线、如何进行景象组合、如何选择观景点与活动,从而提炼出明末清初时期文人山水审美视角下的黄山风景欣赏的特点。通过将黄山图与今天风景游赏对比,总结出今天风景区建设的问题,为黄山风景区审美价值保护提供一个视角。
The article analyzes how wandering-observing represents in paper size, landscape composition methods and landscape people in Chinese landscape paintings. Taking Mount Huang Chinese painting as an example, and with the analysis of wandering–observing, it helpsidentify how the painters choose the best landscape views and tourist trails, and how to compose the landscape, and how to choose the best scenery docks, and then verifies the landscape appreciation characters of Mount Huang in late Ming and early Qing dynasties. By comparing Mount Huang Chinese landscape paintings and landscape appreciation today, it summarizes the problems of facilities construction of Mount Huang, in order to provide a point of view to the aesthetics conservation of Mount Huang Scenic Site.
出处
《中国园林》
北大核心
2014年第6期28-31,共4页
Chinese Landscape Architecture
基金
国家自然科学基金(编号51278266)资助
关键词
风景园林
中国山水画
游观性
风景欣赏
黄山
landscape architecture
Chinese landscape painting
wandering-observing
landscape appreciation
Mount Huang
