“槐荫当庭”——明清江南造园中的庭荫树

"Pagoda Tree Shade as Courtyard" ——Shade Trees in Jiangnan Gardens of Ming and Qing Dynasties

从明代造园专著《园冶》中"梧阴匝地,槐荫当庭"的经典论述出发,以造园学的视角考察了《长物志》《闲情偶寄》《花镜》《广群芳谱》4部古典专著对庭荫树的品评;继而,从《园综》所收录的明清江南文人造园笔记中归纳出松柏、梧桐、垂柳、槐、榆5类的庭荫树的配置要点,佐以明清园亭绘画为可视化证据,试图还原江南造园中庭荫树的经典景境,为今人研究和了解明清江南文人造园中配植庭荫树的手法和评价标准提供初步系统化的史料梳理和理论概述。

The thesis is based on the classical exposition of ＂planting Chinese parasol tree around the garden and pagoda tree in the center＂ by the gardening monograph Yuan Ye in Ming Dynasty. It also inspects the evaluation of the gardening trees by the four ancient monographs -- Zhang Wu Zhi, Xian Qing Ou Ji, Hun Jing and Guang Qun Fang Pu in the gardening perspective. Furthermore, based on the gardening notes made by Jiangnan scholars in Ming and Qing Dynasties collected in Yuan Zong, this thesis summarizes the key points of placement for the four types of gardening trees -- coniferous trees, Chinese parasol trees, willows, pagoda and elm trees, with the help of visual proof of pagoda and garden paintings from Ming and Qing Dynasties, trying to restore the classical scenes of the gardening trees in Jiangnan gardening, providing primary systematic historic material arrangement and theory summary of the placement techniques and evaluation standards of the gardening trees used by the Jiangnan scholars in Ming and Qing Dynasties for the contemporary studies.