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论赵之谦手札书法艺术的特点

A Discussion of the Calligraphic Artistry of Zhao Zhiqian
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摘要 赵之谦书法初宗二王,后取法颜真卿,得其坚实严谨与浑穆从容。他师从邓石如,博采秦汉瓦当、铜币、权量、魏晋六朝碑铭,融合真、行、草、隶、篆之笔法,创造出一种浑厚朴茂的手札行书艺术风格,并留下了丰硕的艺术成果。赵之谦在书法艺术上成功地开创了清末以后碑学书法的先河,这也为当前书法家在碑帖融合创新中提供了参考。 Zhao Zhiqian learned calligraphy earlier from two Wangs, and learned rigorousness, stateliness ano calmness from Yan Zhenqin. He later switched to Deng Shiru and absorbed the artistry from Wadang, coins, weight of Qin Han, inscription, calligraphy in Wei Jin dynasties, integrated the artistry from Regular Script, Running Script, Cursive Script, Official Script, Seal Character and created a vigorous and luxuriant personal letter style, leaving behind abundant artistic achievement. Zhao Zhiqian was the creator of late-Qing-Dynasty stele calligraphy and shed light on the integration and innovation of modern calligraphy.
作者 贺思谦
出处 《重庆三峡学院学报》 2014年第5期145-147,共3页 Journal of Chongqing Three Gorges University
关键词 赵之谦手札 碑体行书 艺术特点 Zhao Zhiqian Stele Running Script artistry
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参考文献4

  • 1赵尔昌,编.张钰霖,整理.赵之谦著作与研究[M].杭州:西泠印社出版社,2007.
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  • 3沙孟海.印学概论[J].东方杂志,1930(2).
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