摘要
泰山石刻是泰山文化和景观的重要组成部分,对于塑造泰山景观和承载及传播泰山文化具有重要意义。泰山中路是石刻分布最密集、保留最完整的区域,分布于此的石刻历经千年积累,形成了形式各异、内容丰富的局面。在大量调查工作的基础上,总结了泰山石刻的历史文化价值和书法艺术价值。在此基础上根据石刻的内容将其划分为纪事、写景抒情、励志3种类型。进而根据石刻内容与场地及位置的关系,总结出泰山石刻造景的3个规律,即:早景随机、文景相依;意境深远、气势恢宏;尺度合宜、精于体宜。从而阐明了石刻与场地及山地景观空间的关系。
The stone inscriptions in Mount Tai are a crucial and an indispensable element to its culture and landscape, which plays an important role in its landscape shaping, inheritance and transmission. The stone inscriptions in the central road are most densely dotted and completely retained, and the history of thousands of years makes them take on such a various and abundant look. Numerous investigations summarize the historical and cultural value and calligraphy values of stone inscriptions, which, according to the contents, respectively are classified into three types: chronicles, landscape and emotion accounts and inspiration accounts. Based on the relation between the contents, sites and locations of the stone inscriptions, three rules about stone inscription arrangements have been summarized: randomization of ancient landscapes, static and dynamic combination, profound artistic concept, imposing manner, scale and style fitting, thus expounding the relation between the stone inscriptions, sites and landscape geology.
出处
《中国园林》
北大核心
2014年第7期104-107,共4页
Chinese Landscape Architecture
关键词
风景园林
石刻
书法
泰山
landscape architecture
stone inscription
calligraphy
Mount Tai