摘要
虹影的小说运用反本质主义和多维视角的叙述方式,重构了在"大历史"中消失的底层人物、边缘人物和女性的历史,体现出历史背景的非深度性、叙述视角的非中心性和叙述话语的解构性等后现代主义特征。
In Hongying' s Novels, the narrative of anti essentialism, multidimensional perspective are applied to reconstruct the disappeared underlying characters, borderline persons and women' s history in the historic horizon, so as to reflect the postmodern characteristics, e. g. ,no - depth of historical background, the no - centricity of narrative perspective and the deeonstruction of power diseourse.
出处
《山东女子学院学报》
2014年第4期64-66,89,共4页
Journal of Shandong Women's University