摘要
母题研究法对壮族灰姑娘型故事研究进行文化分析提供新的视角。有学者把舜象故事作为"后母故事"纳入灰姑娘型故事研究的视野,与舜象故事相似的汉王祖王故事,自然也应纳入壮族灰姑娘型故事研究之中。壮族的《叶限》《达架的故事》和汉王祖王故事等内容组成壮族灰姑娘型故事的整体。壮族灰姑娘型故事是壮族的情感艺术和民族信仰的重要载体,它的形成,是民族选择、整合与强化的结果。
The method of motif research provides a new perspective to cultural analysis in the research of Cinderella-like Zhuang tales. Some scholars regard Xunxiang tale as Step-mother tale and classify it as an object of Cinderella-like tale research. As being similar to Xunxiang tale, the tale of Han king and Zu king should also be classified as an object in Zhuang Cinderella tales research. Tales such as Yexian, Tale of Dajia, Tale of Han king and Zu king are the main body of Zhuang Cinderella tales, which are an important reflection of Zhuang＇ s feeling art and belief, and a result of Zhuang nation＇ s choice, integration and intensification.
关键词
壮族
灰姑娘型故事
母题
文化载体
Zhuang, Cinderella tales, motif, cultural reflection
