东方艺术的视界融合:常任侠艺术理论体系的审美架构

Visual Integration of Oriental Art:Chang Renxia's Aesthetic Framework of Art Theory System

作为20世纪致力东方艺术研究的美学家,常任侠建构了颇为独特的艺术研究模式和理论范式,他基于艺术考古学的理论探索,进而在巫术与艺术起源、中国美术史的重建、表情艺术理论的拓展,乃至对东南亚艺术形态和艺术理论的交流融合等层面都多有建树,为20世纪的中国艺术理论增添了别样的东方符号和审美情韵。

Chang Renxia,an aesthete working on the oriental art research in the twentieth century, formed his unique art research model and theoretical paradigm. Grounded on the exploration of art archaeology theory, he achieved much in the origin of witchcraft and arts, and in the reconstruction of Chinese art history. Chang also contributed to the artistic theory of Emoji art. He promoted the exchange and integration of art form and art theory in Southeast Asian. Chang added unique oriental symbols and aesthetic sentiments to the twentieth century Chinese art theory.