平行比较意大利现实主义电影、中国三四十年代电影和新生代电影

Comparison of the Italian Realistic Movies and Chinese Movies in the Thirties and Forties and the New Generation

比较文学学科发展第二阶段是以美国学者韦勒克、雷马克、韦斯坦因、奥尔德里奇等为代表的美国学派的平行研究。平行研究是对那些没有事实联系的不同民族的作家、作品和文学现象进行研究,比较其异同,并在此基础上引出有价值的结论。从平行研究的角度比较意大利现实主义电影、中国三四十年代电影和新生代电影,分析其异同,探究其深层的内在原因,对深入理解现实主义电影传统在中西方的发展有着重要的意义。

Discipline development of comparative literature in the second stage is the parallel study by the representative American scholars such as Wellk, Remarque, Weisstein and Aldridge. Parallel research is to study the different national writers without any link, compare the similarities and differences, and then draw a valuable eonclusion. From the angle of parallel study the paper compares the Italian realistie movie and Chiilese movies in the thirties and forties and the new generation, analyzes their similarities and differences and explore the inner reasons, which plays an important role in the deep understanding of the development of realistic fihn tradition in both China and the West.