摘要
从现代到后现代,艺术样式发生了重大变化。而这种样态变化的背后则是以物性为中心的范式转型。现代艺术的范式是拒绝物性的现代性分化,而后现代的范式则是融合物性的后现代性解分化。对于中国当代艺术而言,其发生语境是现代主义,故而把大量后现代艺术样式也"现代主义化"了。目前迫切需要从理论加以厘清,以理解和支持当代中国艺术的发展。
A paradigm shift centered round objecthood underlies the change of art form from the modern to the postmodern. The paradigm of modern art is characterized by differentiation that excludes objecthood while the paradigm of post-modern art is dedifferentiation that includes objecthood. The paper claims that the context of contemporary Chinese art is modernism,and this context has also modernized many of the art form of the post-modern. Therefore,the paper concludes that a theoretical delineation of the context of the paradigm is necessary for understanding contemporary Chinese art.
出处
《文艺理论研究》
CSSCI
北大核心
2014年第5期26-34,共9页
Theoretical Studies in Literature and Art
关键词
现代艺术
后现代艺术
物性
范式
modern art
postmodern art
objecthood
paradigm