摘要
本文力图解析丹托、格林伯格、弗雷德对装置艺术理论作出的积极贡献,并澄清他们各自存在的误解和视野偏差。结合草间弥生、徐冰等当代先锋艺术家的作品,分析装置艺术的媒介材质、色泽、明暗、肌理、形状、图案、三维空间所呈现的"剧场性"效果,进一步论证装置艺术所呈现的物感对于克服现代性危机所具有的价值和意义。
This paper seeks to analyze the positive contribution that Arthur Danto,Greenberg,Michael Fried have made for installation art theory,while clarifying their respective misunderstanding and vision deviation. The paper will take the example of contemporary artists like Yayoi Kusama and Xu Bing and analyze the theatricality effect produced by the medium material,color,shading,texture,shape,pattern and three-dimensional space in the installation art,and the paper then tries to formulate how the sense of objects produced through installation art may function to overcome the crisis of modernity.
出处
《文艺理论研究》
CSSCI
北大核心
2014年第5期35-40,共6页
Theoretical Studies in Literature and Art
关键词
装置艺术
物感
剧场性
现代性
installation art
the sense of objects
theatricality
modernity
