摘要
被誉为"中国色彩派之代表"、"杭州艺专的旗帜"的吴大羽在20世纪的现代绘画中对新派画的坚持与求索及其所取得的成绩在中国可以说是扩荒者,但长期以来却不为人知。这种现象,被吴冠中先生命名为"吴大羽现象"。吴大羽在艺术道路上跌宕起伏的遭遇某种程度上折射出了中国油画艰难曲折的发展历程。他的遭遇,部分原因在于自身的性格,更多的是外部客观因素所造成。
Wu Dayu,known as the'representative of China color',and the'banner of Hangzhou Art College',is said to be an pioneer in Chinese painting for his perseverance to the New Painting School and great achievements in the 1920 s.Regretfully,he is long unnoticed,which is called as'Wu Dayu Phenomenon'by the famous painter Wu Guanzhong.His ups and downs in artistic creation reflect the difficult development of oil painting in China.His fate partly is due to his own personality;more importantly,it is the outer objective factors that have decided his fate.
出处
《吉首大学学报(社会科学版)》
CSSCI
北大核心
2014年第5期125-128,共4页
Journal of Jishou University(Social Sciences)
基金
福建省高校服务海西建设重点项目(2009B053)
中国社会科学院文化研究中心闽南文化研究基地成果
关键词
吴大羽
新派画
WU Dayu
new painting school