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重返伊甸园——变迁中的中国女性导演创作

Back to Eden Women’s Cinema’ Undergoing Change in China
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摘要 在八十年代的中国影坛上,几乎以一种迅雷不及掩耳之势,崛起了令人惊诧和惊叹的“女性导演群”。它是中国电影发展的衡量尺度之一。 Chinese cinema used to avoid sex. An intense conscious ness of society and politics was the hallmark of a Chinese film. The rise of Chinese women's cinema in the 80s becomes the focus of world attention because for Chinese women generally, either in a historical context or at present, the liberation of woman is one aspect of world liberation. Films by Chinese women directors are imbued with their unique understanding, and their pure feel for life. This has enlivened Chinese cinema, although these films often present a weak rationality. Historical influences and the current changes in societv make it difficult for Chinese women directors to choose clearly between old and new artistic ideas.
作者 任仲伦
机构地区 上海师范大学
出处 《北京电影学院学报》 CSSCI 北大核心 1990年第1期51-67,共17页 Journal of Beijing Film Academy
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参考文献3

  • 1[英国]丹尼尔·霍夫曼主编.《美国当代文学》第482页.
  • 2《当代电影》1986年第4期,第111页.
  • 3《上海文论》1989年第2期第46页.

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