论感觉摹仿

On the Imitation of Senses

一 电影表演的本质即是对人类活动的创造性摹仿。所以。理解与掌握有关摹仿的原理与技能，不只对于演员的基本功训练，而且对于演员的角色创造，都具有重大意义。然而，并不是每个人都对簪仿问题赋予了足够的语视。这或许与人们对摹仿这个词的理解有关。由电影表演艺术的特性所决定，

Film acting can be defined as some creative, but not rigidly reproductive, imitation of human behavior. There are two kinds of imitations, that of mere appearance and body, and that of senses rusulting from internal psychological feelings with its embodiment in external acting. Human understandings of the 'sense', 'association(of ideas )', 'synesthesia' and 'imagination', were initially made in Ancient Greece. The ability of the association of ideas in performing is to unify the fragments, i. e., to construct an integrated impression of its referent. The relationship between the imitation of sense and that of body is one of mutual complementarity. An actor ought to focus on the comprehensive characteristic of the role while imitating its referent. Another particularity of the imitation of senses is that while involved in imitating, a performer always has to perform with an awareness of the situation. This paper also discusses the function and the importance of the association of ideas in imitation of senses; the creative makings of the imitation of senses; its basic training(to embark on imitating a selected, familiar referent) and its advanced training(to creatively imitate in light of written materials).