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形体动作的表现力

The Expressive Ability of Body Movement
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摘要 演员的艺术是表现的艺术,电影表演艺术水平的高低,决定于演员的学识和功力,作为表演艺术专业的两大基础-形体动作和语言技巧,犹如表演艺术的两条腿,是缺一不可的。然而,遗憾的是.近年来在一些国产影片、尤其是电视剧表演中,运用语言刻画形象似乎已成为配音演员的事; There are two bases for performing art: body movement and speech. In recent years, Chinese actors have been wanting in basic professional skills, without impressively expressive body movements. The ability of body movement is one of the bases of performing art. The training of body movement serves the performance. Mere muscular movement is not enough for body training. A keen sense of movement serves as the foundation of a flexible and controllable body. The creation of performance demands from the performer precise control over his own body movements. The article also discusses: the limitations of dance in the performer's body training; the multiple expressive powers of body movement; the 'body, language' (involving body movement, gesture and facial expression), a way by which the messages from the mind are transmitted; human exploration of the expressive power of the body (Aristotle, Darwin and a new subject from this century: Kinesics); some examples of politicians and the actors' utilization of the expressive power of the body. Distinguishing the 'body languge' and attaining the expressive ability, is a process of study and exploration. A performer must keep studying and training to attain multiple expressive abilities.
作者 侯寄南
出处 《北京电影学院学报》 CSSCI 北大核心 1991年第1期61-68,共8页 Journal of Beijing Film Academy
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