论《周恩来》的叙事构建及其美学意义

On the Narrative Structure and Its Aesthetics of "Zhou Enlai"

当人们面对银幕上的《周恩来》时，事实上，他们恰恰是在重读着铭刻在自己心头的历史。丁荫楠以罕见的历史悲剧的力度，“为中国文艺史写下了一部不朽的史诗”（荒煤评语）。丁荫楠诚然并非是一蹴而就的。从《孙中山》到《周恩来》，不妨说，正是历史造就了作为“银幕诗人”的丁荫楠。

The author highly praises Mr Ding Yingnan 'Written down an immortal epic for the literary and art history of China' by his rare influential power of historical tragedy. The author quoted Bacon's famous saying:Art is the multiplicity of Man and Nature. He pointed out that the epic 'Zhou Enlai'marks the solemn integraty of history and the artist(subject of artistic creation) The solemnness means that the artist could not brought out a historic epic tragedy solely, he has to harmonize himelf with his nationality and with his historical epoch, and then, create the epic as a course of crystallization. The author considered the significance of 'Zhou Enlai'is that the film portayed a typical character Zhou Enlai who awkwardly situated in the conflicts of the specific historical period.'Zhou Enlai' therefore attained the peak in the realm of tragedy aesthetics. In directing'Zhou Enlai', Ding plays the role of 'Screen poet'as the creative subject,he steeps in the real remem- brance of people, thus formed the unique narrtive style of the film: historical lyric and historical realism, two combined into one. This is a modern viewpoint formed by the impact of poet-subject and 'reiniscence of people', through the viewpoint, the essence of histor- ical reality reproduced upon a nobler level.