中国民族民间舞创作的自省

Reflections on the Creation of Chinese Folk and Ethnic Dance

本文从我的创作经历出发,以彭松老师《舞蹈审美漫话》系列文章为理论依据,从"形神相依"、"象外之象"、"物一无文"、"化形留律"四个方面进行反思。

Based on the author＇ s own choreographing experience and Professor Peng Song＇ s articles in Dance Aesthetics Discussions, this paper reflects the following four aspects of Chinese folk and ethnic dance： interdependence of form and spirit, images beyond images, physical description with no words, transformation with laws.