摘要
本文从鱼龙曼延的文化内涵、浙江舞蹈"龙"形象盛行的现象的历史成因以及鱼龙曼延的文化功能与民俗活动的"龙"的深层功能之间的联系三点出发,探讨舞蹈中"龙"形象的文化内涵以及浙江龙舞的独特文化意义。
This paper explores the cultural significance of ＂Fish, Dragon, and Manyan＂ , and discusses the historical origins of the Dragon image in Zhejiang dance and the relationship between the cultural function of ＂Fish, Dragon and Manyan＂ and the ＂ Dragon＂ function in folklore activities. The paper attempts to explain the unique significance of Zhejiang dragon dance.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2014年第5期105-108,共4页
Journal of Beijing Dance Academy
关键词
浙江舞蹈
“龙”形象
鱼龙曼延
Zhejiang Dance
Dragon Image
＂Fish, Dragon, and Manyan＂
