藏族民间歌舞音乐之“母、子”曲体结构在钢琴音乐作品及其演奏中的运用

Tibetan Folk Song-Dance Music——the "parent-child" music structure in piano music works

钢琴这种西洋乐器历经几百年的发展,其演奏技法和作品创作都已达到至臻纯熟的状态。文章以藏族民间歌舞音乐中的"母、子"曲体结构为切入点,探讨了如何将藏族民间歌舞音乐演奏技法与钢琴的演奏和创作完美的结合,实现"古为今用,洋为中用",打造以西藏民间音乐为素材的钢琴作品,发掘民间音乐元素,并运用于钢琴演奏,使钢琴这架西洋乐器在演奏藏族音乐旋律上更有特色。

Piano, a western musical instrument, has a history of hundreds years, and the performance skills and works creation of piano music have reached to a perfect state. This article contains a discussion of the perfect combination of the performance skills of Tibetan folk song-dance music with the performance skills and works creation of piano music. By taking the＆quot;parent-child＆quot;music structure in piano music works as the key it is dis-cussed that how to create piano music with Tibetan folk musical sources and how to play Tibetan music with a pi-ano with better effect and distict features.