摘要
宋代在禅宗思想影响下的佛教雕塑艺术体现了禅境与艺境的会通。山西长治法兴寺、崇庆寺等寺院所遗存的宋塑作品以其精湛的技艺和高妙的表现手法实现了艺境生发过程与禅思悟入层次的契合。同时,审美受众亦从多个审美角度对宋塑艺术进行观赏和考量,各自收获其对宋塑艺韵、禅思、哲理的理解和回味,并由此生出不同程度的契会境层。宋塑艺术亦在此禅境和艺境的相互文化观照下实现了其展现圣洁神性和复归质朴人性的美的追求。
Buddhist sculpture in the Song Dynasty demonstrate the feasibility to bring together Zen state and Artistic conception.The Sculpture of Faxing Temple and Chongqing Temple in the Song Dynasty realized its ideal of developing Artistic conception and comprehending Zen state as a whole by its flawless technique.Meanwhile,The viewer admiring and thinking of the sculpture in the Song Dynasty from many angles and they gained comprehensions and aftertastes of theartistic-beauty,Chan Sai and philosophic theory respectively.The sculpture in the Song Dynasty has realized its pursuit of beauty of revealing the divinity and reverting the glitters of humanity.
出处
《河南社会科学》
CSSCI
北大核心
2014年第9期64-69,123,共6页
Henan Social Sciences
关键词
禅境
艺境
宋代雕塑
Zen state
Artistic Conception
Sculpture in the Song Dynasty