摘要
"繁"与"简"是中国古代文学批评史中重要的对待性范畴。历代繁简观并不固定。唐宋古文运动以后,散体古文代替了骈文的流行,史籍进入散文家学习效法的视野,简洁渐成古文的审美标准。清人基于文章学内在理路,借助汉学、骈文学勃兴的外在机缘,对繁简理论进行了新的阐发,重新发掘出繁复的价值,古典文章学中的繁简观再次变异。
Verboseness and Terseness are two important oppositional categories in Chinese classical literary criticism.The views of scholars on this point varied in different dynasties.After the ancient literature movement of Tang and Song,the ancient style prose replaced the rhythmical prose characterized by parallelism and ornateness.Writers studied the history books,and brevity and terseness were highly appreciated.In the Qing dynasty,people reinterpreted the theory on the verboseness and terseness,once again transforming the traditional views.
出处
《四川大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第4期78-85,共8页
Journal of Sichuan University:Philosophy and Social Science Edition
基金
国家社科基金西部项目"二百种清代文话叙录"(12XZW014)
国家社科基金一般项目"清代实学对韩国实学的影响研究"(13BWW030)
教育部人文社科研究青年基金项目"清代文话与清代文章学"(11YJC751005)
"广西特聘专家"专项经费项目
广西师范大学校级科研基金重点项目"清代文话研究"(2010ZD001)
关键词
古文运动
繁简
文章学
汉学
骈文
classical Chinese essay movement
verboseness and terseness
theory of prose composition
Han Learning
rhythmical prose characterized by parallelism and ornateness