摘要
仿生设计运动的兴起.可以追溯至20世纪早期。1930年代.阿尔托(Alvar Aalto)、马森(Bruno Mathsson)和布鲁尔(Marcel Breuer)等现代主义设计师.对生物形态开始着迷。这种兴趣一直延续到二战后.如萨里南(Eero Saarinen)和雅各布森(Arne Jacobsen)等人的设计.他们偏爱简约的几何样式和柔软的波浪形。
In the mid- 1980 s,there was a trend to find inspiration from the natural world in the design field.It is the beginning of the bionic design movement.This design movement continued to this day,it influenced the design of Scandinavia is particularly strong.The thought of this design movement,influenced the aesthetic tendency directly or indirectly.It has a certain theoretical and practical implications for the contemporary art education.
出处
《上海工艺美术》
2014年第3期107-109,共3页
Shanghai Arts & Crafts