自我的描绘与表达——丢勒自画像的图像学分析

Self-portraiture and expression:An iconological interpretation of Dürer's self-portraits

丢勒是德国文艺复兴时期最具影响力的一位艺术家,他的作品主要包括版画、油画以及素描,其主题多为宗教题材与人物肖像。丢勒在造型艺术方面极具天赋,他在他的画作中总能将造型的美感与精神性的表达融为一体。本文运用潘诺夫斯基图像学的三个层次分析了丢勒自画像的形式、母题与意义,以期展现其艺术史以及美学的价值和地位。

Albrecht Dürer was one of the most influential artists of the German Renaissance.His works include woodcut paintings,oil paintings and sketches,whose subject matters are mainly religious themes and portraiture.Dürer was of genius in the plastic arts.His paintings always combine the sense of beauty in visual art with the inner spiritual expression.Based on Panofsky's theory of iconology,this paper analyzes the forms,motifs and meanings of Dürer's self- portraits and demonstrates their value in art history and aesthetics.