论屈辞的模式以及楚辞的式微

On the Mode of Qu Yuan's Chu Ci and its Decline

楚辞自屈原陡然崛起,又在其身后很快走向式微。屈宋时代看不出显著的发展历程,汉代的发展更不景气。如此特殊的文学现象,与屈辞模式化相关。《离骚》呈现"问对"与"追求"模式以及六大"比兴"模式,《湘君》《湘夫人》《山鬼》《天问》亦存在相同的模式。《卜居》《渔父》《远游》《招魂》《大招》等也亦滋生于这几种模式之中。至于汉人所作楚辞,更多属"无病呻吟"。模式的再生力有限,特别是在叙事性的抒情诗中表现得更为明显。

Chu Ci originated from Qu Yuan and it went to decline after his death. It didnt boast a development in the period of Qu Yuan and Song Yu, and in the Han Dynasty, it went to decline. This special literature phenomenon is related to the mode of Chu Ci. Li Sao displays the mode of question , seeking and six comparisons and contrasts. Xiangjun, Xiangfuren, Shangui, Tianwen, also employs the same mode. Boju, Yufu, Yuanyou, Zhaohun and Dazhao also use these modes. The Chu Ci, composed by people in the Han Dynasty were just meaningless. The rebirth of the mode remains limited especially in the lyrics.