萧瑟秋风今又是,换了人间——新国画运动分析

This Bleak Autumn Wind Changed the World——Analysis on New Chinese Painting Movement

1949年新中国成立前后,对中国画的改造运动就轰轰烈烈地展开了。这个改造不是基于艺术的必然规律,而是在国家意识形态的强力干预下被动进行的。以《在延安文艺座谈会上的讲话》精神为指导,传统的中国画经历了"新国画""新山水画",表现毛泽东诗意和革命圣地的山水画,最终完成了对高雅文人画的改造,国画成为国家意识形态的图像。

Before and after the founding of New China in 1949, the transformation campaign of Chinese painting vigorously unfolded. This transformation was passively conducted not based on the inexorable law of art, but under the strong intervention of the state ideology. Guided by the spirit of “Speech In the Yan＇an Literature and Art Forum”, traditional Chinese painting experienced “New Chinese Painting”, “New Landscape Painting” and the landscape to perform Mao Zedong poetry and revolutionary site, and finally completed the transformation of the elegant literati painting. Traditional Chinese painting became the national ideology image.