摘要
中国蒙古族音乐的研究肇始于20世纪初。以当代蒙古族民俗学的开拓者——罗桑悫丹(1875~?)于1915~1918年间完成的《蒙古风俗鉴》算起,至40年代末,蒙古族音乐研究孕育并发端于民俗学、民间文学研究当中,到了40年代末,蒙古族音乐学资料学科开始形成,并到80年代蒙古族音乐研究理论音乐学的形成与发展,再至如今蒙古族音乐学研究的多元发展阶段,蒙古族音乐的研究,经历了近百年历程。本系列论文,对蒙古族音乐研究百年历程进行描述,对学术发展脉络进行梳理,对标志性成果、代表性学者及其观点进行介评。
Study of Chinese Mongolian music began in the early 20th century. From the completion of the “Customs of Mongolian” written by contemporary Mongolian folklore pioneer -- Lobsangchoidan (1875 -?) between 1915 and 1918, to the late forties, Mongolian music research conceived and originated in the folklore and folk literature. At the end of the 1940s, Mongolian music data subject began to form, and to the 1980s, Mongolian music theory study— musicology formed and developed, and then to now, study of Mongolian music developed in the diversified stage. Mongolian music experienced a history of nearly a century. This series of papers describe centuries development of Mongolian music studies, review the context of academic development, and comment sort of landmark achievements, representative scholars and viewpoints.
出处
《内蒙古大学艺术学院学报》
2014年第3期69-78,共10页
Journal of Art College of Inner Mongolia University
基金
教育部人文社会科学重点研究基地重大项目"蒙古族传统音乐的保护与传承研究"(项目编号:13JJD760001)阶段性研究成果
关键词
蒙古族音乐
发展
搜集整理
Mongolian music
Development
Collection and collation