摘要
关于汉赋文体之源,两千多年来,诸如"古诗之流"说、源于楚辞说、出于纵横家言、出于俳词说、源于隐语说、不歌而诵说等等,可谓讨论者日盛、观点日多,认识却并未日趋清晰。原因在于,凡此种种于赋体之形成似皆有所相涉,又皆难免有以偏概全之弊,其实质是只看到了赋在思想或形式某一个方面对前代文学或艺术形式的继承。任何一种文体的产生都离不开前代文学的浸染,而这种浸染,往往非只一方面、非只一源所能涵盖。
As for the origin of Han Fu, there have been various theories in the past 2000 years, such as the Stream of Poetry Theory, Chu Ci Origin Theory, Origin with Political Strategists, Origin in Humor, Origin in Enigmas and Narration without a Chorus Theory. With so many discussions and perspectives on it, the notion is still not clarified. The reason lies in that all the above theories seem to be related to the origin of Han Fu superficially but pose the risk of taking a part for the whole with inadequate observation of the inheritance of one certain thought or form of the literary style or artistic pattern of previous dynasties. The creation of any literary style is inseparable from the influence of previous dynasties, but it can hardly be elaborated from one aspect or with one origin theory.
出处
《云梦学刊》
2014年第5期77-82,共6页
Journal of Yunmeng
基金
教育部人文社会科学一般项目"文学思想史视域中的汉赋研究"(12YJA751076)
天津市哲学社会科学研究规划资助项目"汉赋文学思想研究"(TJZW08-2-041)
关键词
赋
文体
源流
Han Fu
style
origin
