期刊文献+

“笔墨”的生命精神

The Spirit of Life in Brush and Ink
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摘要 从"描绘物象生命形态之抽取""画家生命意识之融入""生命意象相通性感受之转化"三个方面论述了笔墨所蕴含的抽象的生命生机与活力。认为中国画的实现过程,事实上是一个"以生悟生,以生化生,以生达生"的过程,对自然对生命本身的体验与传达贯穿于这一过程的始终。作为绘画技法语言的笔墨,之所以超出了绘画元素的表层功能与意义,具有触及心灵的力量,正因为其本身就是活脱脱的生命意象,是物我生命交融的新生。这正是"笔墨"之所以仍有其强大生命力和无限开拓空间的主要缘由,也是其他媒材的绘画创作可学习与借鉴之处。 Vigor and energy emerged in the art of brush and ink paintings were presented in three aspects in this paper. They included abstracting the shape of life in description, living the life of painting by the painters and the transforming the feel shared between life and image. Results show that the realization of Chinese paintings is essentially a process of understanding life,experiencing life and representing life. It is the power and energy that endow the art of brush and ink paintings with vigor and renaissance,which make the charms of this art with penetrating power beyond the superficial function and meaning from the simple drawing elements. It is an asset worthy of study and learning by artists of other stuff.
作者 薛书琴
出处 《厦门理工学院学报》 2014年第4期98-101,共4页 Journal of Xiamen University of Technology
关键词 笔墨 生命 新生 brush and ink life renaissance
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参考文献4

  • 1石涛.苦瓜和尚画语录[M].济南:山东画报出版社,2007.
  • 2薛书琴.浅谈“虚”与中国画[J].艺术与设计(理论版),2008(4X):194-196. 被引量:1
  • 3宗白华.中国艺术意境:乏诞生//宗白华.意境[M].北京:北京大学出版社,1999:140.
  • 4刘义庆.世说新语[M].杨牧之,胡友呜,选译.杭州:浙江古籍出版社,1986.

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