论后现代视域下的悲喜融合

The fusion of sorrow and joy from the perspective of post-modernism

悲喜融合是美学史上争论不休的话题,由早期的完全对立到19世纪、20世纪的悲喜转换,它一直在不断发展。进入后现代领域,在后现代解构一切的价值评判下,悲与喜已突破了各自界限和概念进行融合互化。黑色幽默作为后现代悲与喜融合的代表可以很好地展现出这种质变融合的形式内涵,而后现代的环境也为这种融合提供了必要的思想背景。同时,需要注意到这种融合在中国呈现出了特点。

The fusion of sorrow and joy is an endless argument in history of aesthetics. The relationship between sorrow and joy has experienced the complete opposite in the early stage and the conversion in the 19th and 20th centuries. When it comes to post-modernism, the new value evaluation, deconstructing everything, sorrow and joy has integrated, breaking through the limits. Black humor, as a representative of the fusion of sorrow and joy, presents the connotation of the fusion. Post-modernism also provides the ideological background for the fusion. Meanwhile, it should be noticed that the fusion in China has some obvious features.