摘要
解放后的赵树理依然坚守"问题小说"的创作理念,关注社会主义新农村中所出现的种种问题,这种不合时宜的问题意识自然被"大时代"冷落与抛弃,并使赵树理成为"大时代"的旁观者,也使其创作心态失衡,不时流露出偏激、消极甚至虚无的态度。其主要原因在于赵树理总是站在农民的立场衡量政治的正确性与否,千方百计地维护农民利益;此外,解放后的赵树理在叙述策略、叙述视角以及叙述话语等诸多方面始终沉浸于个人的小天地里,其小说在话语形态、人物形象、美学观念等方面自成一格与"大时代"相去甚远。
After liberation,ZHAO Shu-li still stuck to the creation conception of “problem novel”.He showed concern for the various problems in new socialist countryside.Such untimely inclination was definitely desolated and abandoned by“the big time”and made him an onlooker.This led to his loss of mental balance in creation.And from time to time,he showed ob-stinate,negative and even nihilist attitude.It was mainly because that he always considered the policies correct or not from the position of peasants.He tried to protect peasants’interest.In addition,ZHAO indulged himself in his own world in respect of narrative strategy,perspective and language.Therefore,his novels were unique in language,figures and aesthetic conception and were quite different from “the big time”.
出处
《内江师范学院学报》
2014年第9期74-79,共6页
Journal of Neijiang Normal University