摘要
从小成本的独立电影《制服》、《夜车》,到如今融合侦探片、黑色电影与导演个人风格于一体,兼具文艺片的艺术内涵与商业片的类型元素的《白日焰火》,刁亦男导演实现了在艺术与商业之间的二美兼并。无论是前两部极端个人化、风格化的小成本作者电影,还是《白日焰火》,各种故事外衣包裹下的内在人性冒险与救赎内涵是贯穿三部电影始终的主题元素。
From the low budget independent film Uniform and Night Train to the present Black Coal andThin Ice which blends detective films, films noir and the personal style of the director into one unity, and simultaneously has type elements of commercial films and artistic connotations of art films, director Diao Yinan has realized the both beauties between art and commerce. Whether the first two low budget author films which are extremely personalized or stylized or the film Black Coal,Thin Ice,the subject elements that run through the three films are always the connotations of adventure and redemption of the inner human nature wrapped up by various kinds of stories.
出处
《湖南广播电视大学学报》
2014年第3期28-30,共3页
Journal of Hunan Radio and Television University
关键词
刁亦男
白日焰火
制服
夜车
Diao Yinan
Black Coal and Thin Ice
Uniform
Night Train