摘要
清初,满族上层统治集团为巩固统治,对前明旧制实行全面继承。随着清代戏曲的勃兴和繁荣,满族统治者为了满足自身的声色之娱并利用戏曲以达到教化的目的,强化了对戏曲演出的管理。宫内演剧事宜则承袭明代演剧旧制由教坊司和钟鼓司管理,两司是清初皇家演戏专门的管理机构,对推动清初戏曲的发展和繁荣都起到了积极的作用。
At the beginning of the Qing Dynasty, the Manchu ruling group inherited the old Ming system in a comprehensive way so as to consolidate their rule. With the emergence and prosperity of traditional operas, the Manchu rulers strengthened the management of opera performances in order to satisfy their own sensual needs of entertainment and achieve the purpose of moralization. As perform- ance matters in the court were controlled by Jiaofang and Zhonggu division, the two specialized agencies played a positive role in promoting the development and prosperity of traditional operas in the Qing Dynasty.
出处
《文化艺术研究》
2014年第3期121-125,共5页
Studies in Culture and Art
关键词
清初
宫廷戏曲
教坊司
钟鼓司
the beginning of Qing Dynasty
inner court opera
Jiaofang
Zhonggu
