摘要
文南词和黄梅戏有"姐妹腔"之称,有共同的发源地和流传区域,汲取了相同的语言文化滋养,主腔[平词]具有相同的板腔体式特征,唱腔之间也互相借鉴,但从腔源、腔系的层面看,前者属于俗曲衍化而来的滩簧腔系剧种,后者则是民间歌舞发展而成的打锣腔系剧种。
WenNanci opera and HuangMei opera are known as the sororal aria. They have the same birthplace and circulating area. They have been affected on the same culture of languages. Their main aria [PingCi] have the same characteristic of Banqiang structure. They use the aria for reference from each other. Though investigating the origin and system of their aria, the former belongs to the Tanhuang system, the latter belongs to the Daluo system.
出处
《通化师范学院学报》
2014年第9期39-43,共5页
Journal of Tonghua Normal University
基金
安徽省教育厅2013年度高校省级人文社会科学研究项目"皖南民间戏曲‘文南词’音乐及文化研究"的阶段性成果
项目编号:SK2013B285
安庆师范学院2010年校青年科研基金"文南词的调查与研究"项目
关键词
文南词
黄梅戏
平词
音乐形态
板腔体
WenNanci Opera
Huangmei Opera
the musical form
Banqiang structure
